Focusrite Saffire PRO 14 review
- Focusrite Saffire Pro 40 Software
- Saffire Pro 24 Dsp Driver
- Saffire Pro 10 I/o Driver Mac
- Focusrite Saffire Pro 10
- Focusrite Saffire Pro 10 Drivers Mac
The Focusrite Saffire PRO 14 is a firewire audio interface for PC and Mac computers. It offers 8 inputs, 6 outputs, great sounding Focusrite preamps, 2 Hi-Z inputs and a phantom power. It uses JetPLL™ jitter elimination technology that ensures stable clock and pristine audio quality.
Features 8/10
Saffire Mix Control 2.4 Unsupported Legacy Version - Driver updated to 3.5.6 release - Adds compatibility for Mac OS 10.7 Lion - Improves performance with Pro Tools 9 Mac and PC - Fixed snapshot load/save functions Mac - Fixed crash on non-admin accounts Mac. MacBook Pro (Retina, 15-inch, 2018) with Radeon Pro Vega; Boot Camp Unified Driver for Windows 10: Display Driver; AMD Radeon Settings; 18.20: 530 MB: 5/1/2019: Download. iMac with Retina (2014-2017) MacBook Pro (2015 – 2018) Mac Pro (2013) Boot Camp Unified Driver for Windows 10: Display Driver; AMD Radeon Settings; 18.10: 530 MB:.
- The new model, the Saffire Pro 10 I/O, is essentially a cut-down version of the Pro 26 (reviewed in SOS December 2006 — click here for the review), and features the same preamps as its big brother, which are derived from the legendary Focusrite Green series.
- Focusrite Saffire PRO 14 latency measurement results and DAW report values, Mac OS X 10.7.4, Reaper 4.261, Cubase Elements 6.06, Firmware version 1718, FW-Driver: 4.0.0.13485, MixControl version 3.0. Round trip latency, driver performance (Windows 7).
- Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs.
Features:
- 8 inputs (4 analog, 2 S/PDIF, 2 loopback), 6 outputs (4 analog, 2 S/PDIF)
- 2 Focusrite preamps
- 2 Hi-Z instrument inputs
- JetPLL™ jitter elimination technology
- Sample rates up to 96kHz
- Phantom power
- S/PDIF I/O
- MIDI I/O
This interface has pretty much standard features, but what's interesting is a software loopback stereo input which allows recording the output mix of the device.
Sound quality 9.7/10
The PRO 14 sounds pleasantly with soft low middle range and enough clarity to my ears. It's not as tight sounding as Presonus Firestudio Mobile, but it has a nice character of its own.
Hi-Z inputs are really exceptional in this unit. They have plenty of clean gain and sound nothing like most digital devices with instrument inputs. Without processing recorded guitar tracks sound full, dynamic and natural. With input gain set to 3.5/10 there's more gain than on other interfaces with gain set to 5 or 7.
Compared to the PRO 24, the PRO 14's guitar inputs sounds a little bit better. These are differences in A/D and D/A dynamic range of both units:
Parameter | Saffire PRO 24 | Saffire PRO 14 |
---|---|---|
A/D dynamic range | 105dB (A-weighted) | 109dB (A-weighted) |
D/A dynamic range | 105dB (A-weighted) | 106dB (A-weighted) |
Saffire PRO 24 vs Saffire PRO 14, information taken from user guides downloaded from www.focusrite.com (FA0268-02, FA0415-01)
Focusrite Saffire Pro 40 Software
I noticed a small problem when the unit was powered via Firewire bus - occasional noise appeared in the guitar signal chain and it seemed to have some connection with what was going on with Mac mini that the Saffire was connected to. The problem never appeared when the PRO was powered through the included external power supply. Note that the Mac mini also uses a power plug without the earth pin.
Phase issue, headphone out
There's a 180 degree phase shift on the phones out that the Focusrite support confirmed to me in a reply to my inquiry. In other words the phase is inverted. In theory this shouldn't make a difference as the sound is a wave and it doesn't matter to human ear if it's compression or decompression, because both are perceivable. IMHO it does sound a bit different especially on headphones, giving an impression of more saturated and fuller low end, and, what's worse, it also affects double and quad tracking guitars resulting in a certain weird quality in recorded material (phase issues?). Fortunately the PRO 14 has other outputs which work fine.
Round trip latency, driver performance (Mac OS X Lion, Intel Core i5-2410M)
Measured round trip latency goes down to 5.011ms (221 samples @ 44.1kHz) at Core Audio buffer size of 14 samples and firewire driver latency set to Short. With the buffer set to 128 samples at the same driver latency mode, the overall latency raises to 10.158ms (448 samples). These are very good values. There's no latency drift - it's stable no matter what. Drivers are reliable and their low latency performance is fantastic.
Latency raises by 2 samples when using custom mixes via MixControl (you can redirect DAW outputs to physical outputs).
Safety buffers can be adjusted through the MixControl app. You can choose between Short, Medium, Long and Very long buffer settings.
Saffire Pro 24 Dsp Driver
Buffer size | Measured latency | Measured latency | Reported latency, Reaper | Reported latency, Cubase |
---|---|---|---|---|
samples | samples | ms | ms | ms |
14 | 221 | 5.011 | 1.5 | - |
32 | 257 | 5.827 | 2.3 | 5.261 |
64 | 321 | 7.278 | 3.7 | 6.712 |
96 | 385 | 8.730 | 5.1 | - |
128 | 448 | 10.158 | 6.6 | 9.615 |
Focusrite Saffire PRO 14 latency measurement results and DAW report values, Mac OS X 10.7.4, Reaper 4.261, Cubase Elements 6.06, Firmware version 1718, FW-Driver: 4.0.0.13485, MixControl version 3.0
Round trip latency, driver performance (Windows 7)
The lowest round trip latency of the PRO 14 under Windows 7 at ASIO buffer set to 32 samples (lowest possible value) is 3.741ms at 44.1kHz (165 samples), which is an awesome result. Driver performance makes it usable at larger ASIO buffer setting of 64 samples with resulting RTL of 5.396ms (238 samples). Those values were measured by a friend of mine, he used a Texas Instruments Firewire chip onboard an Asus M2N-SLI Deluxe mainboard and an AMD Phenom X4 CPU.
Ease of use 8/10
In this area the Saffire PRO 14 is a standard audio interface. Superstring 2 pro 2 9 6. It's simple and easy to use, but it could have a mains out dim or mute button somewhere. Of course you can control outputs by using the MixControl. Potentiometer knobs are made of plastic and they're a little bit loose.
Mix Control
Price 8/10
The Focusrite Saffire PRO 14 a reliable audio interface with fantastic low latency performance and great instrument preamps.
Advantages
Great sounding instrument preamps
Latency stability
Saffire Pro 10 I/o Driver Mac
I/Os include S/PDIF and MIDI
Drawbacks
Headphone output has a 180 degree phase shift (phase inversion) which only in theory should not make a difference
Focusrite Saffire Pro 10
Plastic and a little bit loose potentiometer knobs
Occasional noise appears on main inputs when the unit is powered through firewire bus
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We're supported in macOS Mojave
As you may already be aware, macOS Mojave is now available as a free software update for Mac users. Over the last few months we worked with Apple to support our customers when using the latest version of the desktop operating system.
As we’re sure you can imagine, this was a huge task requiring a lot of time to plan and execute, but it was a task that was very important to our Mac users, particularly those who want to stay at the cutting edge of Apple’s releases.
Focusrite Saffire Pro 10 Drivers Mac
We’re pleased to report that the picture is very positive, allowing almost all of our customers to upgrade their macOS install on release day without worry.
macOS Mojave is available for our customers using the Scarlett, Clarett, Red and Saffire ranges or the Forte and iTrack Solo models, plus the Red, Midnight and Scarlett plug-in suites. Support for RedNet solutions and Avid's Pro Tools | First is not available in macOS Mojave.
For more information, visit the Focusrite Help Centre.